My work offers a cross-cultural experience of public relationality. Inspired by archaeology, ecology, the lived spiritualities embedded in everyday rituals, and nature, I utilize multisensory interactive installations, community-engaged art, and participatory performance to actively bridge the spans between people, materials, and spirituality. My interest in theater and literature manifests in the narrative and symbolic qualities of my work, allowing me to generate experiences that originate from the individual and expand into the collective. Through collective co-creation in community practices, I consistently integrate art into everyday life, with a sustained focus on issues of environment, belonging, and migration.

Cultural heritage and retrospection are built upon material history. Symbols carry cultural and historical significance, projecting the collective perception and values of a community. As technology advances, the methods of archiving and remembering constantly evolve. Within this newly expanded dimension, I contemplate the sacred nature of spirituality and investigate how intangible cultural heritage exists inside consciousness, the body, and contemporary innovation. Faced with the modern challenge of reconnecting with the physical self, I navigate the vast ocean of archives and secondhand experiences, forging a path between the past and the future through sensory imagination and relational construction.

For me, the meaning of art in personal life lies in confronting the sacred and profane moments of contemporary daily existence, embracing the inevitable limitations of life alongside our shared human desires. My performance is a stream of consciousness charged with flowing symbolism; with the meticulously designed objects and operations, my work embodies the resilience and impermanence of matters, states, and conditions. I believe that art fulfills itself within lived and public spaces, realized through the immediate, present experiences of both creator and viewer.

Oct. 2026

我的創作以裝置、行為、社區藝術為主，透過作品提供一種跨文化的大眾關係性經驗。靈感汲取自考古學、生態學、民俗與自然，我透過多感官互動裝置、社區藝術和參與式行為，主動連結人與人、物質與精神之間的跨度。我對戲劇與文學的興趣，反映在作品的敘事特質與象徵性之中，藉此引導出始於個人、擴及集體的經驗。我長期透過集體共製的社區創作，將藝術實踐推廣到日常生活，持續關注環境、歸屬感與遷徙的議題。

文化遺產與回顧建立於物質歷史之上。象徵承載著歷史的重要性，彰顯出社群的集體感知與價值觀。隨著科技進步，檔案與記憶的方法不斷演變。在這種全新拓展的維度中，我探尋精神性的神聖本質，並專注於無形文化遺產如何存在於意識、身體與當代創新的經驗之中。面對當代人類重新與身體連結的挑戰，我選擇穿越檔案與二手經驗的汪洋，透過身體感官的想像力與關係構建，在過去與未來之間開闢一條實踐之路。

藝術對我個人生命的意義，在於直面當代日常中神聖與卑賤的時刻，接納生命必定的限制與人性共同的渴望。我的行為作品是股注入流動象徵的意識流。透過精緻設計的物件與操作，來體現物質、狀態與情境的韌性與無常。 我深信，藝術必須透過創作者與觀者當下的經驗，最終完成於生活與公共空間之中。

2026年十月